Bespoke generative editions
Limited and open-edition print runs generated from custom algorithms. Each piece is plotted on archival paper in the Tokyo studio and signed, numbered, and accompanied by a signed certificate of authenticity.
Studio · Services
Commissions, collaborations, and consulting for institutions exploring generative art.
From bespoke print editions and large-scale installations to curatorial guidance and institutional partnerships — Jun Fujiki Studio offers a focused set of services for collectors, galleries, museums, and brand teams.
What we offer
Six focused services, delivered with Japanese precision.
Each engagement is led personally by Jun and supported by a small, trusted network of fabricators, printers, and software engineers. Engagements are scoped in writing before any production begins.
Site-specific installations
Architecturally scaled generative works for lobbies, atriums, and exhibition spaces. Includes concept development, technical drawings, fabrication oversight, and on-site installation supervision.
Exhibition & curatorial consulting
Advisory support for museums, biennials, and galleries building generative or computational art programs. Includes artist shortlisting, essay contribution, and jury participation.
Brand & product collaboration
Generative visual systems for fashion houses, technology companies, and design studios. Past partners have used the work for packaging, capsule collections, motion identity, and editorial campaigns.
Algorithm licensing
Licensing of selected generative systems to institutions and platforms for non-exclusive use in research, education, or commercial applications. Source code, documentation, and a working session included.
Workshops & lectures
Half-day to multi-week programs for universities, design schools, and corporate teams. Topics include generative aesthetics, paper as a medium, and the philosophy of computational perception.
How we work
A four-stage process, refined over a decade.
We move slowly on the front end and precisely on the back end. Every commission follows the same path — from first conversation to delivered work — so expectations stay clear for both sides.
Brief & conversation
A 60-minute call to understand the project context, spatial or editorial constraints, audience, and timeline. No charge, no obligation.
Concept & proposal
A written proposal with three to five conceptual directions, sample sketches, technical approach, milestones, and a fixed fee. Delivered within three weeks.
Development & review
Iterative production with structured review checkpoints. Clients see work in progress at every milestone and request adjustments within agreed scopes.
Delivery & archive
Final delivery of physical works, high-resolution files, signed certificates, and a private archival record of the project — kept indefinitely in the studio archive.
Why Jun Fujiki Studio
A small studio with a long view.
Generative art is a slow craft. We work with clients who understand that — and who want a partner, not a vendor.
14 yrs
Practiced continuously
Jun has worked exclusively in generative art since 2011, with a focused body of exhibited work and a stable, mature practice.
1 person
Led from end to end
Every commission is conceived, coded, plotted, and signed by Jun himself. No juniors, no outsourcing of the creative core.
100%
Written, fixed-fee scopes
Every engagement runs on a written proposal with clear milestones and a single fixed fee. No hourly billing, no surprise invoices.
Engagement models
Three ways to work together.
Whether you have a defined brief, an open-ended question, or a long-running partnership in mind — there is a model that fits.
Single commission
One well-defined deliverable — an edition, a print, an installation, a campaign visual. Fixed scope, fixed fee, fixed timeline. The most common starting point.
Annual retainer
For institutions and brands that want ongoing access to the studio for curatorial advice, internal reviews, exhibition planning, and a defined number of commissions per year.
Research partnership
Joint research with universities, labs, and foundations exploring the intersection of generative systems, paper, and human perception. Typically structured as a 12–24 month collaboration.
From collaborators
What partners say after the work is delivered.
A small selection of unedited remarks from curators, creative directors, and collectors who have completed engagements with the studio.
Jun brought an unusual level of patience to our exhibition. He refused to rush the concept, and the resulting installation was the most talked-about piece in the show. He is a true collaborator — not a hired hand.
What sets Jun apart is his written process. Every milestone was documented, every decision traceable. As a commissioner of art for a public-facing brand, that transparency was as valuable as the work itself.
Frequently asked
Practical questions, answered plainly.
Where is the studio based, and do you take on international commissions?
The studio operates from a quiet warehouse in Sumida, Tokyo. Approximately 70% of commissioned work is shipped internationally, and the studio is experienced with customs documentation, climate-controlled transit, and on-site installation supervision abroad.
How far in advance should a commission be booked?
For print editions, 6–10 weeks is typical. For installations, 4–9 months. The studio usually books 2–3 quarters ahead, and a short waiting list is common. Briefs are welcomed well in advance of the desired delivery date.
Do you work with collectors directly, or only with institutions?
Both. Around a third of the studio's commissions come from private collectors acquiring unique or short-edition works. Pricing, editioning, and authentication terms are identical for individual and institutional clients.
Can I commission an artwork using an algorithm I already own?
Yes. The studio regularly takes on commissions where the client provides an existing system, dataset, or constraint set. In these cases, the proposal focuses on visual direction, paper selection, and edition strategy rather than algorithm development.
Begin a conversation
A brief note is the best place to start.
Send a few sentences about the project, the intended space or publication, and a rough timeline. Jun reads every brief personally and replies within five working days. For deeper context, the studio journal documents past projects in detail.
Read the studio journal